A couple of months ago I saw the flyer for this year’s Oxford Playhouse panto, Aladdin. As I glanced over the familiar Korky Paul illustrations I noticed something was amiss. Where was Peter Duncan’s name? He, of Blue Peter fame, who has written and directed every Oxford Playhouse panto I’ve seen. He, who is personally responsible (not that he knows it), for my panto entertainment. A quick ferret through the internet and I discover he’s touring in Hairspray, the musical. How was this allowed? And what does this mean for the Playhouse panto?
I felt a little more reassured after Googling the replacement writer and director, Steve Marmion. He’s a panto veteran and has already co-written an earlier version of Aladdin. Embracing the change of team we visited on opening night; read on to find out what we thought.
Kiran Sonia Sawar plays the role of Princess Rose with gusto and a strong Scottish accent. She knows her mind and isn’t going to be married off to any old prince. Aladdin (Adam Samuel-Bal) is a rather vain character who eventually realises that boasting he’s a prince isn’t going to please the Princess. Abazanezer (Paul Barnhill) played an entertaining baddie and did a rather fine Kate Bush impression. Although the thunder clap and lighting effects that accompanied the appearance of Abazanezer proved too scary for the youngster behind me!
After a shaky start I really began to enjoy the show. My highlight of the first half was Widow Twanky’s (Nigel Betts) striptease walk through the desert to find Aladdin’s cave. I won’t give too much away but if you’re going watch out for the child on the bicycle.
The second half opened in the cave. I loved how Aladdin and Widow Twanky were positioned in the pile of rocks, they pulled some great faces during the scene. The Salt-N-Pepa combo song was rousing and I enjoyed the Genie (David Rubin) dancing with sticks.
The stand out performance of the panto was Rochelle Rose, the Spirit of the Ring, singing Hello whilst Aladdin and Princess Rose floated about on a magic carpet. I’ve got to the stage of turning the radio to a different channel whenever that song comes on as I’ve heard it way too much. But the performance last night was stunning. My daughter, a huge Adele fan, suggested it was even better than the original.
I thought the overall choice of songs was excellent, although ‘Rub the ring’, supposedly a Tolkien reference, had my other half and I sniggering for the wrong reasons!
Widow Twanky had the usual variety of fun costumes. Her Little Pony outfit was only surpassed when she came on near the end riding a swan, a la Rod Hull. Her big pants provided handy storage for the sweet throwing and there were the usual birthday announcements, sing song and ‘It’s behind you’ scene. I don’t remember any ‘Oh no he isn’t, oh yes he is’ routine though.
There were niggles though. Wishee Washee, the dog, gets the audience to howl at regular intervals, which I know is all supposed to be part of the panto fun but my kids found it really annoying. There’s also a strange assortment of animals and a random duck appearing at various points which we just didn’t get; what was the point of them? And finally, there were lots of ladies and gentlemen in the seats as well as boys and girls; please remember us when speaking to the audience!
All of the supporting youngsters sang and danced with great energy; there was a street dance theme running through most of their performances and this was also reflected in the boy’s outfits. My daughter was most impressed with a girl performing from her school but there was probably an element of bias in this judgement!
I loved The Blues Brothers when I was younger so the final song, Shake your Tail Feather, was a treat. The audience were encouraged to stand up and join in and it was a fitting finale. Our verdict? Not as good as last year’s Beauty and the Beast (which was a classic) but still very enjoyable. Mr Marmion has proved a worthy successor to Peter Duncan. Go see.
Have you seen Aladdin at the Oxford Playhouse? What did you think?
- Aladdin runs until Sunday 10th January 2016. Some dates are sold out but there’s still plenty of availability. Tickets cost from £15 and are available from the Oxford Playhouse website.